In a residency with the Centre for Contemporary Chinese Art, artist Dorothy Cheung is exploring the layers of identity in Manchester's Chinese community...
The first in a new series on pre-World War II architecture looks at how one of Hong Kong's oldest colonial buildings became an example of how not to conserve heritage...
One of Canada's oldest Chinatowns is feeling the pinch of gentrification and redevelopment – but a wave of young entrepreneurs hopes they can keep the neighbourhood's spirit alive....
A new project by the Canadian Centre of Architecture examines the link between Hong Kong's financial district and environmental damage around the world....
Katherine Lo, third-generation scion of the Great Eagle dynasty, has taken a staid hotel and transformed it into a lively haven for the arts, queer culture and alternative politics. Can it work?...
City Hall was Hong Kong's first truly public cultural centre, but its central role in the city's urban space has been chipped away by redevelopment....
The Western District Public Cargo Working Area, also known as the Instagram Pier, is a rare open space on the waterfront. But government plans could soon carve it up into smaller pieces – or worse....
Dubbed the Instagram Wall by its friends and the Idiot Wall by its detractors, Alex Croft's mural for Goods of Desire has become inexplicably popular...
For a time in 2017, the best museum to see Hong Kong art was in Vancouver. That year, Tsang Kin-wah, the artist known for his so-called “wallpaper art,” wrapped the Vancouver Art Gallery in creeping vines of text pulled from local newspaper editorials in the 1980s and 90s, when an influx of Hong Kong migrants […]...
Christopher DeWolf is a Canadian journalist who has lived in Hong Kong since 2008. He was drawn by the contrasts of the city's street life: quiet lanes filled with stray cats and potted plants; sleek glass-and-steel footbridges; frenetic markets where rainbow umbrellas shelter fresh vegetables and flopping fish. Christopher's work on urbanism, architecture, design, art and culture has appeared in the South China Morning Post, Wall Street Journal, TIME, LEAP and many other publications. His book on Hong Kong's unique urban culture, Borrowed Spaces: Life Between the Cracks of Modern Hong Kong, was published by Penguin in 2017. He hopes to bring a ground-up sense of place to his work for Zolima CityMag.