Known for intimate, immersive works in Hong Kong, Pat To Yan’s time in Germany has led to a new series of ambitious plays exploring dystopian futures...
As the government reorganises its approach to culture, prompting fears of overt censorship, what does the future hold for performing arts in Hong Kong?...
The new head of the City Contemporary Dance Company is finding ways to deal with the pandemic, political upheaval and a challenging change in geography....
For centuries, a tribe of merpeople called Lo Tings have been said to inhabit Hong Kong's waters. They are increasingly becoming a symbol of the city's contentious relationship with power....
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil Bartlett’s The Plague, an adaptation of Albert Camus’ famous novella...
Willy Tsao launched Hong Kong’s contemporary dance scene more than 40 years ago. But today, he is less interested in his hometown than he is in mainland China....
Rosalind Wong wants Hong Kong to love Shakespeare as much as she does – and now her unorthodox theatre company is collaborating with the Hong Kong Philharmonic....
This article is brought to you by The Hong Kong Ballet No performance of The Rite of Spring will ever have the same impact as its first one in May 1913, when members of the audience at the Théâtre des Champs-Elysées in Paris reacted to Vaslav Nijinsky’s anti-classical choreography with shouts, hisses and — in […]...
New Hong Kong Ballet director Septime Webre has turned to one of Hong Kong's most celebrated cultural exports for his retelling of an American classic....