When director Riley Yip Yuk-ying was doing auditions for her feature debut, Blossoms Under Somewhere (寄了一整個春天), she remembers actor Sheena Chan Shu-yan being perplexed. “[She] asked me, ‘Why am I taking these off here?’” recalls Yip. In the scene, a character strips off her underwear and dances around an elite girls’ school assembly hall, proudly […]...
A new retrospective of films made by Hong Kong’s so-called left-wing or patriotic studios reveals the ideological underpinnings of the movie industry...
Proving you’re never too old for a good time at the movies with the family, KIFF and KIFF Carnival return to stoke film appreciation in Hong Kong’s youngest minds...
Hong Kong New Wave giant Mabel Cheung returns to the screen with a decade-in-the-making chronicle that confirms we should never underestimate a young woman...
Playwright and filmmaker Kearen Pang wades straight into the mainstream with a little help from Cantopop phenomenon MIRROR for her second feature film...