Home, A Fire: Group Exhibition Examines Identity, Belonging and Place
Cheng-Lan’s Corner’s second exhibition Home, A Fire brings together 10 international artists to explore domestic space as a site of memory, tension and identity.
Cheng-Lan’s Corner’s second exhibition Home, A Fire brings together 10 international artists to explore domestic space as a site of memory, tension and identity.
How designer Stevie Whisper fashioned a distinct visual identity for underground Hong Kong nightclub 宀, AKA Mihn, in 100 posters.
Contemporary by Angela Li’s Lightness of Being brings together eight fine arts graduates from across Hong Kong institutions, showcasing their artworks that exploring on human existence, ranging from ceramics to charcoal drawing.
Explore Miroslav Šašek’s illustrated cities, from Hong Kong to across Europe, tracing mid-century travel, memory and visual storytelling.
A slew of exhibition openings, plus talks and workshops, hosted over three weekends at galleries across the artsy neighbourhoods Wong Chuk Hang and Tin Wan.
Renowned artist and scholar Gu Yue’s Boundaries explores divisions as dynamic spaces for connection across cultures, media and histories.
As the Hong Kong Arts Centre’s flagship exhibition, Collaboration in Collision brings together seven artists and collectives to transform the conventional gallery into an interactive space for dialogue.
In After ‘Intelligence,’ Hong Kong artist Lau Wai uses motion-captured avatars and a video game to ask who decides our role as the human race when AI learns to imitate us.
The Spanish sculptor’s Hong Kong gallery debut uses everyday objects as literal cages to probe technology, surveillance and the erosion of the real.
Across disciplines including painting and ceramics, Form gathers seven artists to explore the tangible and intangible — from matter to imagination.
HKPM’s Joyful Encounters traces Wong Kwan Shut’s life as a scholar-artist, revealing how connoisseurship shaped his ink practice.
Print Art Contemporary’s exhibition shares the career stories of eight retired master printers and artist works, exploring the concept of the book in contemporary art.
Ora-Ora’s new multi-disciplinary group exhibition imagines a fictional modern literati’s studio, where historical objects and contemporary creations coexist.
David Boring lead singer Laujan further invades our interior world with her first gallery piece, Memory & Punishment, an installation and durational performance interrogating trauma and loss through collective immersion.
Through an exhibition and talk, photographer Keith Macgregor documents Hong Kong’s fading neon era in City of Lights, a vivid archive of signage, stories and cultural memory.
At the re-showcase of the Creative Cross-Pollination: The Future of Crafts, Crafts on Peel presents seven craftworks by local and international artists with the debut of two exquisite artworks.
L’ÉCOLE Hong Kong’s Precious Coral traces the material’s biology, craftsmanship and global cultural history through 120 rare works.
Celebrated artist Zheng Jing constructs different ecologies using non-solid elemental media at Oi!, reimagining and recontextualising familiar Hong Kong spaces.
The first comprehensive exhibition in over a decade, Asia Society’s Singing and Dancing with Brush and Ink retrospective revisits Wesley Tongson’s experimental ink through spirituality, identity and Hong Kong’s modern ink history.
Hong Kong Visual Arts Centre’s Incising the Matrix: If Birdwood Block exhibition showcases artist Jay Lau’s prints and installations, reimagining a parallel reality where Birdwood Block still exists.
Featuring 200 masterpieces from the Met, Hong Kong Palace Museum’s latest exhibition traces global jewellery across cultures and time.
Contemporary artist Eric Lai Wai-lam’s first Hong Kong solo exhibition invites visitors into his world of “Tranquil State” to search for peace and enjoyment.
Fresh from curating the Japan Pavilion at the Venice Biennale, CHAT chief curator Takahashi Mizuki presents a playful summer show.
Discover 70 Tibetan Buddhist treasures from the Tsui Art Foundation, including thangka paintings and sculptures, alongside a multimedia display on Xuanzang’s pilgrimage and Buddhism’s impact on Chinese culture.
Following its first chapter in May and June, At 25: Artists’ Early Worlds, Part II revisits artists’ formative years through archives, early works and new commissions.
Celebrating art and gastronomy, Tai On Coffee & Tea Shop collaborates with food illustrator Kai collaborates and luxury hotel Cortis to present Tea Time Stories, an edible exhibition complemented by a collection of creative delicacies.
Held at WKM Gallery, Japanese artist Soh Souen’s first Hong Kong solo exhibition offers a wide-ranging look at the artist’s exploration of life through multimedia works spanning painting, video and installation.
Stanley Whitney’s first solo show in Asia, Isn’t Love the Strangest Thing, surveys jazz-inflected paintings built on his signature colour grids.
This tactile group show collects works by artists across different geographies and material practices to examine how borders are stretched, untethered and reimagined.
As part of its 45th-anniversary “Then and Now” programme, Alisan Fine Arts’ Tradition Renewed highlights four Chinese literati masters whose practices have redefined the possibilities of ink painting since the 1980s.
Organised by gallerist Matthew Brown, Nocturnal convenes 14 artists whose practices unfold in the hours of darkness, exploring night’s creative and introspective energies.
Contrasting urban Hong Kong with brutal war imagery, Ellen Pau’s jolting Blue (1989–90) sits at the heart of this firy blockbuster mediation on creativity and resistance.
Revisiting the Jade Terrace brings together the artists from Alisan Fine Arts’ 2014 exhibition Beyond the Jade Terrace, showcasing the work of these now-major figures in contemporary ink.
Ink master Peng Kanglong’s latest solo show, Losing My Way to Watch the Flowers Bloom, features nearly 40 works that trace his practice from landscape to flower painting.
Lucio Fontana’s Spatialist revolution — from the seminal buchi (holes) to the iconic tagli (cuts) — showcases how he redefined the canvas as a dynamic field of light, gesture and infinite space.
M+’s Making It Matters explores the creative process, blending art, design and societal reflection through historic and contemporary works.
From chopsticks to toothbrushes, M+ museum’s Design Ah! exhibition encourages viewers of all ages to consider how everyday objects shape our lives.
HKPM’s new group exhibition is big on Instagram-friendly installations, while drawing thought-provoking parallels between then and now.
Heavenly Horses brings together nearly 100 masterpieces to trace the evolution of Chinese classical horse painting from the 14th to the 20th centuries.